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I didn't care for this story at all. Lily falls in love with her boss and he with her. They pursue a relationship and when she tells her husband she's leaving tragic events happen. I couldn't find anything that I liked about the story, but I can say that it was very believingly, realistically written. The characters are very visible as you read it. Unfortunately, it's based on a true story. From a Christian perspective I don't feel very good about reading or recommending it.
I received this book free from the author, publisher and Boldwood book review program. I was not required to write a positive review. The opinions I have expressed are my own.
#LilysChoice #MayEllis #BoldwoodBooks #BooksYouCanFeelGoodAbout
I’ve read Liz Tolsma’s upcoming release, What I Left for You, and I loved it! You’ll want to preorder it. There’s a price guarantee if you do. As a bonus, Liz is offering a cookbook of her family’s favorite recipes for preordering. Some of these recipes are mentioned in the book!
Don't miss this new release! The Way of the Shepherd by Danny Davis is full of wisdom to help all who read it grow! Be sure to get your copy!
Book: Trail to Love
Author:Susan F. Craft
Genre: Christian Historical Romance
Release date: September 17, 2024
A widowed father…a heartbroken nanny…and a wagon train journey that will change their lives forever.
Since the death of her fiancé, Anne Forbes has given up on the life she thought she’d have. After taking a role as nanny to her two young nephews, she’s grown close to her brother’s family—a replacement for the one she never had the chance to start. But when she accompanies them on the wagon trail to their new life in South Carolina, a handsome and gallant widowed father who’s also part of the group catches her eye and her heart, making her wonder if God might have plans of love for her after all. If only the beautiful woman the man escorts didn’t have her sights set on him.
Michael Harrigan never considered remarrying after the death of his wife. No woman could ever compare. But when he meets the gentlehearted Anne while escorting his sister-in-law on their journey to the Blue Ridge Mountains, he’s taken aback by Anne’s lovely voice and her compassion. As they face the trials and adventures of life on the trail, he finds himself open to the idea of marriage for the first time in many years.
But when disaster strikes the wagon train, Michael and Anne must work side-by-side to save lives. In the midst of their struggles, can they find a way to abandon their separate trails of grief and hardship for the trail to love?
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Susan F. Craft retired after a 45-year career in writing, editing, and communicating in business settings.
She authored the historical romantic suspense trilogy Women of the American Revolution—The Chamomile, Laurel, and Cassia. The Chamomile and Cassia received national Illumination Silver Awards. The Chamomile was named by the Southern Independent Booksellers Alliance as an Okra Pick and was nominated for a Christy Award.
She collaborated with the International Long Riders’ Guild Academic Foundation to compile An Equestrian Writer’s Guide (www.lrgaf.org), including almost everything you’d ever want to know about horses.
An admitted history nerd, she enjoys painting, singing, listening to music, and sitting on her porch with her dog, Steeler, watching geese eat her daylilies. She most recently took up the ukulele.
A History of Buttons
In my Christian Historical Romance, my main character, Anne Forbes, is a tailor and seamstress. When she arrives in Philadelphia from Scotland in 1753, she visits several shops and is amazed by the huge supply of buttons.
Buttons have been around for 3,000 years. Made from bone, horn, wood, metal, and seashells, they didn’t fasten anything but were worn for decoration.
The first buttons to be used as fasteners were connected through a loop of thread. The button and buttonhole arrived in Europe in 1200, brought back by the Crusaders.
The French, who called the button a bouton for bud or bouter to push, established the Button Makers Guild in 1250. Still used for adornment, the buttons they produced were beautiful works of art.
By the mid-1300s, tailors fashioned garments with rows of buttons with matching buttonholes. Some outfits were adorned with thousands of buttons, making it necessary for people to hire professional dressers. Buttons became such a craze that the Church denounced them as the devil’s snare, referring to the ladies in their button-fronted dresses.
In 1520 for a meeting between King Francis I of France and King Henry VIII of England, King Francis’ clothing was bedecked with over 13,000 buttons, and King Henry’s clothing was similarly weighed down with buttons.
In the 16th century, the Puritans condemned the over-adornment of buttons as sinful, and soon the number of buttons required to be fashionable diminished, though they were made from gold, ivory, and diamonds.
By the mid-1600s, button makers used silver, ceramics, and silk and often hand painted buttons with portraits or scenery.
The late 17th century saw the beginning of the production by French tailors of thread buttons, little balls of thread. This angered the button artisans so much that they pressured the government to pass a law fining tailors for making thread buttons. The button makers even wanted homes and wardrobes searched and suggested that fines be levied against anyone wearing thread buttons. But in la Guerre des Boutons, it’s not clear that their demands went beyond fining of tailors.
Towards the end of the 1700s in Europe, big metallic buttons came into fashion. At this time, Napoleon introduced the use of sleeve buttons on tunics. This time period saw the development of the double-breasted jacket. When the outside of the jacket was soiled, the wearer would unbutton it, turn the soiled surface to the inside, and re-button.
Thread buttons were used on men’s shirts and other undergarments from the late 17th into the early 19th century. Cheaper, they wouldn’t break when laundresses scrubbed and beat the material. They were also used on shifts and undergarments because they were soft and comfortable. Other types of thread buttons were death head buttons, star buttons, basket buttons, and Dorset buttons. Some said that death head buttons were called that because they resembled a skull and crossbones, memento mori, a reminder that life is short and should be lived as well as possible. Dorset buttons originated in Dorset in southern England where they became a cottage industry. Families, prison inmates, and orphans were employed in the manufacture of thousands of Dorset buttons each year, which were used throughout the UK and exported all over the world.
Bone button molds, slightly domed on one side and flat on the other, were common in the mid to late 18th century. Button molds were used to make both cloth and thread (passementerie) covered buttons.
Horn buttons were used mostly for spatterdashes and gaitered trousers. These strong durable buttons were competitive in price with other types but available in limited numbers in the 18th century since the making of them was slow.
Many colonial American buttons were made from seashells, wood, wax, and animal bones. The bones were boiled for 12 hours, cut into small pieces, shaved around the edges and had a hole punched through them with an awl. The shape was up to the maker — round, oval, square, rectangular, or octagonal.
Brass buttons, functional and ornamental, were also popular in colonial America. In 1750 in Philadelphia, a German immigrant, Caspar Wistar, made brass buttons guaranteed for seven years. He later opened the first successful glass making factory in the colonies.
(I want to thank the William Booth Drapers of Racine, WI, for some of the information provided in this post. Please visit their website at www.wmboothdraper.com where you’ll find a treasure trove of books about 17th and 18th century fashion — shoes, slippers, hats, bonnets, buttons and trimmings, etc., and Packet books about sewing. Fantastic resource. Thank you, William Booth Drapers.)
To celebrate her tour, Susan is giving away the grand prize of a $50 Amazon card!
Be sure to comment on the blog stops for extra entries into the giveaway! Click the link below to enter.
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Book: Virginia (Daughters of the Lost Colony Book Four)
Author: Shannon McNear
Genre: Christian Fiction / Historical Romance
Release date: September, 2024
The White Doe of the Outer Banks Grows into Womanhood
Return to the “what if” questions surrounding the Lost Colony and explore the possible fate of Virginia Dare–the first English child born in the New World. What happened to her after her grandfather John White returned to England and the colony he established disappeared into the mists of time? Legends abound, but she was indeed a real girl who, if she survived to adulthood, must have also become part of the legacy that is the people of the Outer Banks. In the spring of 1602 by English reckoning, “Ginny,” as she is called by family and friends, is fourteen and firmly considered a grown woman by the standards of the People. For her entire life she has watched the beautiful give-and-take of the Kurawoten and other native peoples with the English who came from across the ocean. She’s enjoyed being the darling of both English and Kurawoten alike—but a stirring deep inside her will not be put to rest.
One careless decision lands her and fellow “first baby” Henry Harvie, along with their Croatoan friend Redbud, in enemy hands. Carried away into Mangoac territory, out of the reach of Manteo and the others, she must learn who she truly is—not only the daughter of Elinor and Ananias Dare but also a child of the One True God, who gives her courage to go wherever the path of her life might lead.
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Transplanted to North Dakota after more than two decades in the Deep South, Shannon McNear loves losing herself in local history. She’s the author of four novellas, the first a 2014 RITA® nominee and the most recent a 2021 SELAH winner, and six full-length novels. Her greatest joy, however, is in being a military wife, mom, mother-in-law, and grammie. She’s been a contributor to Colonial Quills and The Borrowed Book, and is a current member of American Christian Fiction Writers and Faith, Hope, & Love Christian Writers. When not cooking, researching, or leaking story from her fingertips, she enjoys being outdoors, basking in the beauty of the northern prairies.
So—here we are! I am just so, SO, sooo blessed to get to be on Celebrate Lit yet again. And book FOUR of my Lost Colony series! Initially I thought two, maybe three books. I pretty much disregarded the possibility of writing Virginia Dare’s story because, well, there’s a good bit of mythology surrounding her, and I felt absolutely no inclination to tackle any of that.
Until early last year. The idea dropped into my head and seemed too obvious to turn away. I didn’t have much idea of what would actually happen in the story, although I knew I wanted to explore the identity of the Mangoac, who held the interior of what is now North Carolina and Virginia when the Spanish and the English first arrived in the New World. They spoke an Iroquoian language and were referred to with dread and distaste among all their neighbors, including the Powhatan. Those people are what we know now as the Tuscarora.
Little was known of the Tuscarora before John Lawson wrote of his journey through the Carolinas in 1700-01. A few years later, Lawson himself met with a fairly horrible death at the hands of the Tuscarora (one wonders what he might have done to tick them off), and tensions soon escalated between settlers and indigenous peoples into all-out war. After their defeat by the English, the Tuscarora people moved northward and became the sixth nation of the Iroquois Confederacy.
They call themselves Skaru:re—pronounced sgah-ROOO-rah (with that long “ooh” held out a little extra)—translated variously as “Long-Shirt People” or “Hemp People,” for the garments they would weave from “Indian hemp,” also known as milkweed. The Tuscarora word for milkweed does indeed contain the same root as Skaru:re, but no one knows when as a people they might have made the transition from merely using milkweed fiber for cording or twine to spinning and weaving it into fabric, as the English did flax for linen.
I decided to have a bit of fun in my story, then, with Ginny being questioned about the making of a linen garment, and then a later mention of a “rough, twiny fabric.” I’d meant to expand upon that a bit, or at least address it in the historical notes at the end—and then completely forgot until working through the galleys.
So I get to talk about it—now. 😊
You might guess that both details, which may feel random to the casual reader, are a nod to the translation of the name Skaru:re, and to the influence that either the Spanish or the English might have had on various Native people groups. A good author endeavors, of course, to not have any random details littering a story. In Virginia, many small things point back to previous stories—there are hints of connection to Rebecca as well even though either story could be read before the other. By the same token, all four books are what we could term alternate history—a reach beyond what is known into what might have been. I think it most likely that as Native peoples acquired European fashions, they used what they already had (in the case of the Skaru:re, a familiarity with milkweed and other materials to provide fiber) to produce garments and other items modeled after what the Spanish and English used. They were nothing if not eager to take advantage of new technologies—and what if their contact with members of the Lost Colony was what sparked the idea behind their famed “long shirts”?
A stretch, for sure. But there’s a reason why I’ve always enjoyed writing speculative fiction as well as historical. 😊
To celebrate her tour, Shannon is giving away the grand prize of a $25 Amazon e-Gift Card and a print copy of the book!!
Be sure to comment on the blog stops for extra entries into the giveaway! Click the link below to enter.
http://www.rafflecopter.com/rafl/display/00adcf5458
Another great family film about how we can all make a difference. Growing up Joe had a really tough life and was always in trouble. As an adult he is berated for praying on the football field, and stands up for himself, for his freedoms and rights. This brings on hate messages and makes their lives miserable. It's also another of God's twists for his life considering how he started out. God can use anyone; what we experience in life gives us skills and strengths. It's a really good movie for everyone to watch and share about.
Be inspired by the true story of Coach Joe Kennedy and his fight for freedom in the new movie, Average Joe, in theaters October 11!
Many thanks to Average Joe for providing a sample of the product for this review. Opinions are 100% my own.
#AverageJoeMIN #MomentumInfluencerNetwork #BooksYouCanFeelGoodAbout
Inspire your family to stand up for what they believe in by watching Average Joe, in theaters October 11!
Synopsis: High school football coach Joe Kennedy had no other choice but to fight. A childhood in foster care followed by 20 years in the Marine Corps was nothing compared to his biggest battle: his commitment to stand for God publicly by taking a knee in prayer after each game. When he was fired, Joe and his wife Denise knew this battle for religious freedom, freedom of speech, and the rights of all Americans was one they would have to fight—no matter the cost. From the director and producers of God’s Not Dead and the producers of The Blind comes AVERAGE JOE, in theaters beginning October 11.
Giveaway: $10 Amazon giftcard
(Note: This is limited to US winners only. Please submit your full name and email address by 10/17 in the comments below. (You will not be spammed!) We will not be able to accept winners submitted after this date)